| 6:18 | Est. Play Time |
| 71 | Measures |
| 1,346Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Organo Continuo |  |
19 | 19 | 6 | 6 | 77% |
 |
23 | 9 | 6 | 8 | 100% | |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Organo Continuo | |
19 | 19 | 6 | 6 | 77% |
|
23 | 9 | 6 | 8 | 100% | |
| Cembalo Continuo | |
17 | 8 | 5 | 6 | 65% |
|
23 | 34 | 7 | 8 | 100% | |
| Contrebasso Continuo | |
20 | 0 | 5 | 5 | 91% |
| Violini | |
28 | 0 | 9 | 5 | 91% |
| Violoncello Continuo | |
20 | 0 | 5 | 5 | 90% |
| Castrato
Alto as Bertarido |
15 | 0 | 5 | 5 | 66% | |
| Bassoon Continuo | |
21 | 0 | 5 | 4 | 65% |
| Viola | 14 | 0 | 1 | 5 | 42% |
| 3:27 | Est. Play Time |
| 66 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Oboe | |
20 | 0 | 7 | 6 | 100% |
| Harpsichord | |
20 | 48 | 6 | 6 | 98% |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Oboe | |
20 | 0 | 7 | 6 | 100% |
| Harpsichord | |
20 | 48 | 6 | 6 | 98% |
|
21 | 3 | 5 | 5 | 97% | |
| Fagotto Continuo | |
21 | 0 | 5 | 5 | 97% |
| Oboe d'amore | |
18 | 0 | 5 | 6 | 94% |
| Soprano | 10 | 0 | 1 | 5 | 47% | |
| Bass | |
15 | 0 | 6 | 4 | 17% |
| 3:33 | Est. Play Time |
| 80 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Soprano I |
11 | 0 | 2 | 6 | 92% | |
| Flute | |
13 | 0 | 1 | 6 | 67% |
| View all 18 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Soprano I |
11 | 0 | 2 | 6 | 92% | |
| Flute | |
13 | 0 | 1 | 6 | 67% |
|
13 | 0 | 2 | 8 | 67% | |
| Alto | 11 | 0 | 1 | 6 | 58% | |
| Organ as by Handel |
14 | 0 | 1 | 6 | 58% | |
| Soprano II |
12 | 0 | 3 | 6 | 58% | |
| French
Horn I |
|
9 | 0 | 1 | 6 | 50% |
| French
Horn II |
|
9 | 0 | 1 | 6 | 50% |
| Oboe | |
13 | 16 | 2 | 6 | 35% |
| Bass | |
9 | 0 | 1 | 6 | 33% |
| Cello Continuo | |
9 | 0 | 1 | 6 | 33% |
| Cortrebass Continuo | |
9 | 0 | 1 | 6 | 33% |
| Organ Continuo | |
16 | 18 | 3 | 5 | 33% |
| Organo Continuo | |
10 | 1 | 1 | 6 | 33% |
| Tenor | 8 | 0 | 2 | 6 | 33% | |
| Viola | 9 | 0 | 1 | 4 | 33% | |
| Violin I |
|
9 | 0 | 1 | 5 | 33% |
| Violin II |
|
10 | 0 | 2 | 8 | 33% |
| 3:16 | Est. Play Time |
| 59 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
25 | 39 | 6 | 9 | 97% |
|
26 | 21 | 6 | 9 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
25 | 39 | 6 | 9 | 97% |
|
26 | 21 | 6 | 9 | 100% | |
| Contrabasses | |
21 | 0 | 5 | 9 | 100% |
| Violins 1 |
|
21 | 0 | 4 | 9 | 100% |
| Violins 2 |
|
19 | 0 | 4 | 9 | 100% |
| Violoncello | |
21 | 0 | 5 | 9 | 100% |
| Violoncellos | |
21 | 0 | 5 | 9 | 100% |
| Rinaldo | 17 | 0 | 4 | 8 | 79% | |
| Viola | 10 | 0 | 1 | 6 | 25% |
| 2:11 | Est. Play Time |
| 48 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Continuo | |
15 | 0 | 4 | 5 | 100% |
| Almira | |
14 | 0 | 3 | 6 | 52% |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Continuo | |
15 | 0 | 4 | 5 | 100% |
| Almira | |
14 | 0 | 3 | 6 | 52% |
| Fernando | 14 | 0 | 4 | 6 | 46% | |
| Harp | |
19 | 25 | 6 | 4 | 42% |
|
13 | 11 | 3 | 4 | 42% | |
| Harpsi | |
16 | 17 | 4 | 3 | 33% |
|
17 | 15 | 5 | 3 | 33% | |
| Lute | |
17 | 17 | 6 | 2 | 25% |
|
21 | 15 | 7 | 2 | 29% | |
| Osman | 11 | 0 | 1 | 3 | 17% |
| 0:49 | Est. Play Time |
| 12 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bertarido | |
12 | 0 | 5 | 3 | 100% |
| Cembalo Continuo | |
13 | 6 | 6 | 3 | 83% |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bertarido | |
12 | 0 | 5 | 3 | 100% |
| Cembalo Continuo | |
13 | 6 | 6 | 3 | 83% |
|
14 | 3 | 2 | 3 | 53% | |
| Viola | 4 | 0 | 0 | 2 | 42% | |
| Violoncello Continuo | |
4 | 0 | 1 | 2 | 42% |
| Vln 1 |
|
5 | 0 | 2 | 2 | 42% |
| Vln 2 |
|
4 | 0 | 1 | 2 | 42% |
| 2:15 | Est. Play Time |
| 63 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
27 | 58 | 6 | 8 | 99% |
|
23 | 23 | 6 | 7 | 100% | |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
27 | 58 | 6 | 8 | 99% |
|
23 | 23 | 6 | 7 | 100% | |
| Violoncello | |
22 | 0 | 6 | 7 | 100% |
| Goffredo | 14 | 0 | 4 | 7 | 57% | |
| Violins | |
12 | 0 | 2 | 6 | 41% |
| Kontrebaß | |
15 | 0 | 1 | 5 | 40% |
| Violoncellos | |
15 | 0 | 1 | 5 | 40% |
| 8:14:19 | Est. Play Time |
| 4517 | Measures |
| 57,351Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
37 | 609 | 29 | 13 | 97% |
|
58 | 373 | 40 | 11 | 96% | |
| View all 26 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
37 | 609 | 29 | 13 | 97% |
|
58 | 373 | 40 | 11 | 96% | |
| Iphigénie | |
21 | 0 | 15 | 11 | 18% |
| Achille | |
19 | 0 | 11 | 9 | 18% |
| Soprano | |
20 | 0 | 7 | 9 | 16% |
| Alto | |
19 | 0 | 6 | 9 | 15% |
| Clytemnestre | |
20 | 0 | 13 | 8 | 15% |
| Ténor | |
11 | 0 | 4 | 4 | 0% |
|
6 | 0 | 0 | 4 | 0% | |
|
18 | 0 | 10 | 9 | 15% | |
| Basse | |
13 | 0 | 3 | 4 | 0% |
|
19 | 0 | 9 | 9 | 15% | |
|
15 | 0 | 2 | 7 | 1% | |
| Agamemnon | |
20 | 0 | 12 | 8 | 13% |
| Calchas | |
20 | 2 | 10 | 8 | 2% |
| Patrocle | |
14 | 0 | 4 | 6 | 1% |
| 1ʳᵉ Grecque |
|
16 | 0 | 4 | 6 | 1% |
| Arcas | |
11 | 0 | 4 | 5 | 1% |
| Diane | |
16 | 0 | 6 | 7 | 1% |
| Grec | |
8 | 0 | 1 | 5 | 0% |
| Ténor 1 |
|
8 | 0 | 1 | 6 | 0% |
| Ténor 2 |
|
9 | 0 | 1 | 6 | 0% |
| 2ᵉ Grecque |
|
11 | 0 | 1 | 5 | 0% |
| 3ᵉ Grecque |
|
10 | 0 | 2 | 5 | 0% |
| Femme de la suite d’Iphigénie |
|
10 | 0 | 0 | 5 | 0% |
| Esclave Lesbienne |
|
7 | 0 | 0 | 3 | 0% |
| 8:58 | Est. Play Time |
| 62 | Measures |
| 1,053Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 28 | 4 | 6 | 97% |
|
21 | 31 | 5 | 7 | 97% | |
| View all 12 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 28 | 4 | 6 | 97% |
|
21 | 31 | 5 | 7 | 97% | |
| Violoncello Continuo | |
19 | 0 | 3 | 7 | 97% |
| Cleopatra | 15 | 0 | 3 | 7 | 80% | |
| Cesare | 13 | 0 | 4 | 7 | 74% | |
| Violini 1 | |
21 | 0 | 2 | 6 | 63% |
| Oboe 1 | |
21 | 0 | 2 | 5 | 59% |
| Violini 2 | |
20 | 0 | 1 | 6 | 57% |
| Oboe 2 | |
20 | 0 | 1 | 5 | 53% |
| Violoncelli Contnuo | |
15 | 0 | 1 | 6 | 48% |
| Contrabassi Continuo | |
15 | 0 | 1 | 6 | 46% |
| Fagotto Continuo | |
13 | 0 | 0 | 5 | 38% |
